An Ideal Hero

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What makes a hero? Alike with all other persons, Ernest Hemingway had his own perceptions of what a hero truly is. In Hemingway's novella, The Old Man and the Sea, Santiago, the old man, attained characteristics that could depict him as an ideal "Hemingway Hero." Through the old man's adventurous spirit, his fearlessness of death, determination, and his independence, Santiago fits Hemingway's hero description.

The old man, Santiago, acquires the qualities of an outdoorsman. Being an outdoorsman in Hemingway's views means that a person is a "manly man," a strong spirit. Outdoorsmen are adventurous people who in many cases enjoy such things as hunting, fishing, hiking, etc. Seeing as how "He [Santiago] was an old man who fished alone in the Gulf Stream" (), Santiago could be described, in this aspect, as a Hemingway Hero.

Along with being an outdoorsman, full of adventure, Santiago has another characteristic of not fearing death. This is an especially needed attribute for an outdoorsman. Hemingway feels that fearing death shows weakness, and a hero is not a weak soul. A person who does not hide from death comprehends that fate will find its way and as long as life's still living, then live it as it comes. For instance, when battling the fish, Santiago maintains his mentality of "Come on and kill me. I do not care who kills who" (). This is one example of how Santiago doesn't show his weakness.

Santiago attains yet another attribute of the Hemingway Hero Code. This quality is to play or fight and to do it to the best of one's abilityeven if the person believes that they will be defeated. Whether the outcome of any situation appears as though it will end in victory or defeat, a person should battle with all the might given to them, until the outcome is proven. The old man had a great sense of this. "Fish,' he said softly, aloud, 'I'll stay with you until I am dead," (5) shows the motivation and determination to remain in the game, even if it doesn't end until Santiago's death.

Along with all of the above attributes, Santiago has another. The old man is a self-reliant and highly independent individual. He relies on nobody other than himself. When conversing with another character in the novella, a young boy, Santiago simply says, "But I try not to borrow. First you borrow. Then you beg" (18). This statement shows diligence and humility. This one statement reveals the old man's humble independence.

There are some characteristics of Santiago that are opposite of Hemingway's Code-- his weak stature for instance. For the most part, the old man, beyond physicality, is an adventurer and enjoys fishing; he does not hide from death, and in fact, welcomes it. Santiago relies on only himself. Along with his unique humility, Santiago is also independent and determined. He never gave up. Through all these attributes, it remains safe to say that the old man, Santiago, is a prime example of Hemingway's ideology of a true hero.

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Australa's treatment of Refugees in recent history

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Refugees are people who owing to a well-founded fear of being persecuted for reasons of race, religion, nationality, membership to a particular social group or political opinion, is outside the country of his nationality and is unable, or owing to such fear, is unwilling to avail himself of the protection of that country; or who not having a nationality and being outside the country of his former habitual residence as a result or such fear, is unwilling to return to it. Legal measures for refugees to enter places like Australia are heavily restricted due to overcrowding of the processing system and Australia deterrence of refugees.

Australia has a legal responsibility not to return a refugee to persecution in his or her country. & Must respect the human rights of refugees. Australia must protect refugees on its territory regardless of wether the entered Australia without permission. Australia has a legal duty to protect persons who fear return to their home country because they have been victims of torture & other serious human rights abuses. There is a myth going around that Asylum Seekers are Illegal This is untrue. Under Australian Law and International Law a person is entitled to make an application for refugee asylum in another country when they allege they are escaping persecution. Article 14 of the Universal Declaration of Human Rights states that everyone has the right to seek and to enjoy in other country asylum from persecution. People who arrive on our shores without prior authorisation from Australia, with no documents, or false documents are not illegal. They are asylum seekers - a legal status under International Law.

Australia tries to deter unauthorised asylum seekers from seeking protection by

1.Preventing boats carrying asylum seekers from landing on Australian soil.

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.Declaring territories external to the mainland of Australia to be outside Australias "Migration Zone" to prevent asylum seekers who land on these islands applying for Australian Visa.

.Detaining them

4.Restriction the information giving to them about there legal rights.

5.Reducing the quality of there protection.

6.Paying other countries to process the refugee claims of asylum seekers who would otherwise come to Australia and.

Interpreting the refugee definition narrowly

?Laws passed in 1 and again in 001 to help protect its boarders from people arriving without permission.

?The Changes allow Australia to refuse refugee protection to refugees who have passed through "safe third countries", where the refugee could get help. Changes in 001 extended these exclusionary provisions to refugees applying from overseas under the government's "regular" refugee and humanitarian entry programs.

?The Tampa affair in 001 led to the creation of a new regime for the interception and processing of asylum seekers outside Australian territory, two new visas were created for refugees, persons fearing gross abuse of their human rights and women ate risk of victimisation, harassment or serous abuse because of there gender.

For those processed overseas, temporary entry for five years is available if they can demonstrate compelling reasons for the grant of a visa, including a connection with Australia. A (permanent) protection visa is the only visa available thereafter and unless the Minister allows otherwise, can only be sought after for and a half years in Australia.

Australia no longer uses the internationally recognised concept of 'well founded fear of persecution' as a basis for identifying a refugee. Instead, Australia had limited the effect of the refugee convention. Australia requires an asylum seeker to prove that the reason for his or her fear of persecution is 'the essential and significant reason' for the fear. As well the person must prove that the persecution involved 'serious harm the person', and 'systematic and discriminatory conduct', According to many commentators these requirements do not exist in international law. I think this is a little unfair because most refugees are not able to travel through conventional channels because they cannot obtain a passport from the government that is persecuting them, or they are fleeing from. Identification documents enable not only Australian immigration officials to determine identity but also representatives of the regime people are fleeing. This places relatives within countries like Afghanistan and Iraq at risk. Moreover, people fleeing from political persecution are at greater risk within their own country if they can be identified when they are on the move.

Australian law discriminates between onshore asylum seekers who enter on valid visas and asylum seekers who arrive without permission. Unauthorised onshore asylum seekers and asylum seekers processed offshore under the new arrangements granted refugee status receive fewer benefits than refugees who arrive with a valid visa or who apply for protection outside Australia under the auspices of UNHCR. Australias linking of the onshore and offshore refugee programs encourage more asylum seekers to enter Australia without permission, since they cannot gain protection through legal channels. Changes made in September 001 narrow then legal gateways for asylum seekers overseas even further and will force more people to use illegal means to reach Australia. By restriction the availability of judicial review Australia has created unequal justice for asylum seekers.

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Nature vs Nurture

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Nature vs. Nurture

Shaping Human Behavior

The debate between those who believe human beings are born with certain innate qualities and those who believe we are the product of our environment (Nature vs. Nurture) has raged for centuries. For the better part of the 0th century, most literature supported the nurture side of the debate. Advocates of the 'nurture' theory emphasize the important role played by acquired and learned behavior from the environment. In support of this theory are several experiments such as Marler's work on the development of bird song, which showed that within the same species of white crowned sparrows, there are regional variations in bird song (Halliday & Slater, 18).

This paper will look at how the knowledge of the field of genetics has caused the pendulum to swing back in the opposite direction (e.g. Matt Ridley, 00). In "Nature via Nurture Genes, Experience, and What Makes Us Human" Ridley presents overwhelming new evidence to support the influences of both heredity and environment on the personality, potential, and achievements of every unique person. Backed by wide-ranging research from respected geneticists and empiricists alike, Ridley liberates genes from their role as puppet masters to recast them as both cause and consequence

References

Ridley, Matt (00). Nature via Nurture Genes, Experience, and What Makes Us Human HarperCollins Publishers

However, these arent great enough reasons to eschew the responsibility that every person has for his or her actions. The fact is, no one can force you to do anything. Yes, you can be forced to do things in physical sense, but no one can force your mind. In desperate, insane situations, people can break down trying to fight against overwhelming mental opposition, but, in most cases, everyone has potentially a clean chance to break away from their problems. The person that doesnt take that chance, the person that continues to hurt himself or herself and others, or to let themselves be hurt, is a person who has willfully engaged in destructive behavior. Its sad to see people get mired down in a terrible situation, and it can be terribly hard to get out of it. But escape it they must.

Ultimately, each of us has to make a decision. Am I going to wallow in self-pity, blame everyone and everything but myself, and allow my past to dictate my future, or am I going to face my problems, accept the fact that I can and must change my attitudes and actions, and embrace the idea of a better life for myself and the people around me? People make mistakes, and people can be forgiven, but only when they are truly willing to be forgiven. As long as someone thinks their problems are simply because of society or genetics, rather than a result of their inability to overcome their lifes experiences, then theyll continue to be a victim and will never be able to stop their addictions, cure their mental illnesses, or leave devastating relationships.

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Analyzation of a Poem

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Poem Analyzed Niggerlips, by Martin Espada

Upon simply glancing at the title of the poem, intrigue immediately draws the prospective reader into reading it and in my case, analyzing it. Fortunately for me, I was not disappointed with my selection. This poem illuminates the hardships and mental anguish suffered by black people more specifically, the author, his father, and great-grandfather at the hands of whites. Martin Espada first describes being called "niggerlips" in high school by his peers, then goes on to describe how his great-grandfather was kept a secret by the family due to their shame of his "blackness." Finally, the author describes his fathers struggle for acceptance not only from his peers, but also within himself. The descriptions of the difficulties faced by both the great-grandfather and father seem to exemplify the "tragic view of the mulatto," in which they both experienced an innate feeling of not belonging to either white or black culture, thus facilitating a damaged psyche.

This content of Espada's poem is further enhanced by the way he uses language. Upon completion of my analysis, I thought of the author as a chef who sprinkles just the right amount of various ingredients (in this case, elements of craft) into his dish, with the finished product coming out just right. Espada does not saturate his poem with different aspects of language, but incorporates enough, all seemingly in the perfect places, to maximize the effectiveness of his writing. In short, he packs a lot of punch into not a lot of writing. The diction is low throughout, as he keeps his word choice direct and simple, yet very concrete. While staying concise, the poem surprisingly provides stunning imagery. This is especially apparent throughout the entire first two stanzas. With the poem being only three stanzas long ten, seven, and twelve lines in length, respectively Espada was very crafty with his inclusion of detail, putting in the proper amount to enhance the imagery, but not cause the poem to become overly prosy. He even manages to incorporate metaphor, simile, and synesthesia into his poem, which also surprised me due to the low diction and simplistic voice in which it was written. The metaphor comes at the end of the poem, with his family saying his father "is still a fly in milk." In the middle of the poem is the simile, in the form of "to scare niggers like crows off a tree." Finally, seven lines into the poem is the synesthesia, where he writes "grinned deliciously."

Even more amazing than the numerous types of language used in Espada's succinct, yet effective poem is how it is structured. For starters, I failed to pick up on any kind of consistent rhythm within the poem. The overall pace is a little quicker than a normal poem because of how concise it is. Espada did not incorporate a lot of rhyme into his poem either. The type of rhyme that is most prevalent in his piece is off rhyme. We see this at least once in each stanza, and multiple times in the last. By using off rhyme as his means of rhyming, Espada does not completely abandon an intricate part of the poem, but at the same time he avoids making it less effective through shifting the readers focus from the more important content to the less important rhyme scheme. In fact, such off rhymes as "classrooms/tattoos," "green/grinned," "tree/he'd," and "still/milk" are not only structurally sound, but cleverly and intentionally placed. The pace of Espada's poem is very much dictated by the syntax and line breaks. Word order and sentence structure is for the most part normal, but there are areas in which they, along with the line breaks, place emphasis on key parts of the poem. We see this initially through the enjambment in line one of the first stanza, in which the words "for me" are taken from the first sentence and placed alone in line two as an end stop. This line break puts focuse on the writer and the fact that he is being called "niggerlips." Another area that illuminates this is in the second stanza, where the fifth line, "to scare niggers," is obviously placed alone to show its emphasis. In addition to this, syntax and line breaks display how the poem should be read. Enjambment and end stops, along with caesuras, are all used in the poem to guide the reader. The separation of stanzas within Espada's poem shows not only a shift from one part of his "story" to the next, but also a shift from one generations story to the next. The authors' hardships are the focus of the first stanza, while the second stanza serves as a sort of confirmation to the issues/focus within the poem. Interestingly, the third stanza goes backwards in a sense, all the way back to the authors great-grandfather, then proceeding to his father; almost as if the author chopped the first two stanzas off the end of the poem and placed them at the beginning.

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Focusing even more on the internal rhyme within Espada's poem, the heavy use of assonance, repetition, alliteration, and anaphora arguably constitute the second most important element of the poem, next to its content. Multiple instances of assonance occur throughout the poem, "school/tattoos," and "each/green" to name a few, that illuminate the formation of a partial rhyme by using identical vowel sounds. Repetition occurs only a few times, and it's mostly through common words such as "the," "my," and "family." Alliteration is probably most prevalent throughout the poem, as Espada repeats the initial consonant sound of words multiple times "called/car," forearm/faces," and "stubborn/still" are only a few examples of such. Lastly, anaphora only happens once in the poem, in the second stanza, and it is used to emphasize the importance of those two lines within the stanza.

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Classical Economy

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Classical theory assumes the existence of a perfectly competitive market. Extensive competition between buyers and sellers creates an equilibrium market condition. With the economy in an equilibrium, the equilibrium price ensures quantities supplied equals quantities demanded. So, in the classical view, there can be no persisting shortages or surpluses. The equilibrium price and quantity can change only if the numerical value of one or more of the determinants of aggregate supply and or/aggregate demanded. So, in the classical view, there can be no persisting shortages or surpluses. The equilibrium price and quantity can change only if the numerical value of one or more of the determinants of aggregate supply and or/aggregate demand change. Should aggregate supply and or/aggregate demand shift there may briefly be a shortage a surplus.

This temporary disequilibrium condition will cause the price to adjust up or down to eliminate the shortage or surplus. Two important characteristics of the classical economy must be; If supply or demand for labor changes, a temporary surplus or shortage will exist. But when the wage rises or falls, the surplus or shortage will be automatically eliminated. Next, resource markets determine the location of the production possibility curve and the full employment level of output. With all available resources employment automatically, the economy will automatically operate on the production possibly curve. The PP curve can shift outward (growth) only if the economy secures more resources, better quality or improved. When the economy operating on the PP curve, the economy is said to be operating at full employment output.

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Jane Eyre - Silent Cry

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Society today is the battle of the sexes, men and women competing daily to feel important. In life the feeling of importance can be threatening for even the strongest individual, no matter your sex or race. In the novel "Wide Sargasso Sea" this is precisely the case. Antoinette, the main character, is heavily overcastted by threat. She encounters this threat when she is searching for the proper form of recognition from society, from her own family, and eventually from her husband Mr. Rochester.

From the time Antoinette was a child she struggled with being properly recognized in society. Antoinette "One day was followed by a little girl singing, 'Go away white cockroach, go way, go away'. Nobody want you. Go away" (). The outside world was a threat to Antoinette, an area that she was almost afraid to navigate. Antoinette and her family were viewed as outsiders, white cockroaches, which further limited Antoinette's interaction with society . Her only true companions in her life were her mother, Pierre, Christophine, Godfrey, and Sass. At one point Antoinette had thought she had made a dear friend Tia, who eventually only betrayed Antoinette. Antoinette's friendship with Tia, stripped Antoinette of any hope that she may be equally accepted in society, Antoinette's character only became weaker. Soon Antoinette's only connection to the outside world was spending time in the family garden. Antoinette would "watch the red and yellow flowers in the sun thinking of nothing, it was as if a door opened and I was somewhere else, something else. Not myself any longer" (8).The garden became the only area of society that Antoinette trusted, a place that took her away from all of her struggles with society. As time went by though Antoinette watched the garden, a one time a prized possession, grow wild, "The paths were overgrown and a smell of dead flowers mixed with the fresh living smell" (1). Antoinette began to view the garden as she viewed society "All of Coulibri Estate has gone wild like the garden, gone to bush" (1). This eventually forced Antoinette to no longer have connections with the outside world, her only connections were within the home she had been raised. This was the only place that Antoinette truly felt safe, the only thing she trusted and the only time she did not feel threatened from the outside world.

As she grew into a young women however, this struggle only became more difficult for Antoinette. Her life went from not being properly recognized by society, to not even being properly recognized by her own family. The home that Antoinette once viewed as safe, the place she trusted and the only place she did not feel threatened from the outside world, changed as quickly as the garden had grown wild. Antoinette watched "The house was burning, the yellow-red sky was like a sunset and I knew I would never see Coulibri again" (44). Antoinette knew that "When they had finished, there would be nothing left but blackened walls and the mounting stone" (45). The blackened walls and the mounting stone was now all Antoinette truly had to hold onto, that could never be stolen or burned. The fire changed Antoinette's life drastically. When the house burned down, so did the recognition that Antoinette once received from her family. The fire destroyed what was left of the family, it forced her mother to become insane, which forced Mr. Mason, her husband to reject everthing that was left. The fire had taken both Pierre and the parrots life. The only people left in Antoinette's life, was her Aunt Cora and Christophine whom was helping her aunt take care of Antoinette. However, her aunt eventually also rejects Antoinette when she sent Antoinette away, leaving her to be raised by strangers in a convict. This form of rejection not only left Antoinette feeling threatened by society, but also left her feeling threatened because her own family had now rejected her.

Antoinette was now only left with the hope of a changed future, the hope that she would eventually find the recognition from society that she had long been searching for, and the hope that she could conquer her previous experiences which had once threatened her. Antoinette eventually marries a man by the name of Mr. Rochester. She sees Mr. Rochester as being an escape from the past and a chance for a profound future. However, Antoinette finds out that her past is not something that she can leave behind, it is a past that will endlessly haunt her. She turns to the only past that she has held onto Christophine for advice "Christophine, he does not love me, I think he hates me" (10). Antoinette recognizes here that Mr. Rochester is believing what people have told him about her past, over what Antoinette had told him herself. Mr. Rochester soon relates to Antoinate as being insane, insane like he has heard stories about her deceased mother. Antoinette soon realizes that she will never achieve the recognition she has been long searching for from society or from those that she tries to love. Antoinette again becomes threatned by these forms of rejection, and soon accepts the life that has been made for her, a life lived as an insane women known as "Bertha".

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Throughout the entire story Antoinette is fighting for recognition in society, recognition from her family and even for recognition from her husband Mr. Rochester. Antoinette never is able to achieve recognition, because she easily allows herself to become threatened. Had Antoinette's character been a little stronger, facing those fears, until she had proven them wrong, Antoinette's life would have been drastically different. Antoinette was not insane like her mother, she was forced to become insane because that is what she had been labeled and she was to threatened to prove otherwise.

Please note that this sample paper on Jane Eyre - Silent Cry is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Jane Eyre - Silent Cry, we are here to assist you. Your cheap custom college paper on Jane Eyre - Silent Cry will be written from scratch, so you do not have to worry about its originality.

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Cause and effect essay topic

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