Jane Eyre - Silent Cry

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Society today is the battle of the sexes, men and women competing daily to feel important. In life the feeling of importance can be threatening for even the strongest individual, no matter your sex or race. In the novel "Wide Sargasso Sea" this is precisely the case. Antoinette, the main character, is heavily overcastted by threat. She encounters this threat when she is searching for the proper form of recognition from society, from her own family, and eventually from her husband Mr. Rochester.

From the time Antoinette was a child she struggled with being properly recognized in society. Antoinette "One day was followed by a little girl singing, 'Go away white cockroach, go way, go away'. Nobody want you. Go away" (). The outside world was a threat to Antoinette, an area that she was almost afraid to navigate. Antoinette and her family were viewed as outsiders, white cockroaches, which further limited Antoinette's interaction with society . Her only true companions in her life were her mother, Pierre, Christophine, Godfrey, and Sass. At one point Antoinette had thought she had made a dear friend Tia, who eventually only betrayed Antoinette. Antoinette's friendship with Tia, stripped Antoinette of any hope that she may be equally accepted in society, Antoinette's character only became weaker. Soon Antoinette's only connection to the outside world was spending time in the family garden. Antoinette would "watch the red and yellow flowers in the sun thinking of nothing, it was as if a door opened and I was somewhere else, something else. Not myself any longer" (8).The garden became the only area of society that Antoinette trusted, a place that took her away from all of her struggles with society. As time went by though Antoinette watched the garden, a one time a prized possession, grow wild, "The paths were overgrown and a smell of dead flowers mixed with the fresh living smell" (1). Antoinette began to view the garden as she viewed society "All of Coulibri Estate has gone wild like the garden, gone to bush" (1). This eventually forced Antoinette to no longer have connections with the outside world, her only connections were within the home she had been raised. This was the only place that Antoinette truly felt safe, the only thing she trusted and the only time she did not feel threatened from the outside world.

As she grew into a young women however, this struggle only became more difficult for Antoinette. Her life went from not being properly recognized by society, to not even being properly recognized by her own family. The home that Antoinette once viewed as safe, the place she trusted and the only place she did not feel threatened from the outside world, changed as quickly as the garden had grown wild. Antoinette watched "The house was burning, the yellow-red sky was like a sunset and I knew I would never see Coulibri again" (44). Antoinette knew that "When they had finished, there would be nothing left but blackened walls and the mounting stone" (45). The blackened walls and the mounting stone was now all Antoinette truly had to hold onto, that could never be stolen or burned. The fire changed Antoinette's life drastically. When the house burned down, so did the recognition that Antoinette once received from her family. The fire destroyed what was left of the family, it forced her mother to become insane, which forced Mr. Mason, her husband to reject everthing that was left. The fire had taken both Pierre and the parrots life. The only people left in Antoinette's life, was her Aunt Cora and Christophine whom was helping her aunt take care of Antoinette. However, her aunt eventually also rejects Antoinette when she sent Antoinette away, leaving her to be raised by strangers in a convict. This form of rejection not only left Antoinette feeling threatened by society, but also left her feeling threatened because her own family had now rejected her.

Antoinette was now only left with the hope of a changed future, the hope that she would eventually find the recognition from society that she had long been searching for, and the hope that she could conquer her previous experiences which had once threatened her. Antoinette eventually marries a man by the name of Mr. Rochester. She sees Mr. Rochester as being an escape from the past and a chance for a profound future. However, Antoinette finds out that her past is not something that she can leave behind, it is a past that will endlessly haunt her. She turns to the only past that she has held onto Christophine for advice "Christophine, he does not love me, I think he hates me" (10). Antoinette recognizes here that Mr. Rochester is believing what people have told him about her past, over what Antoinette had told him herself. Mr. Rochester soon relates to Antoinate as being insane, insane like he has heard stories about her deceased mother. Antoinette soon realizes that she will never achieve the recognition she has been long searching for from society or from those that she tries to love. Antoinette again becomes threatned by these forms of rejection, and soon accepts the life that has been made for her, a life lived as an insane women known as "Bertha".

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Throughout the entire story Antoinette is fighting for recognition in society, recognition from her family and even for recognition from her husband Mr. Rochester. Antoinette never is able to achieve recognition, because she easily allows herself to become threatened. Had Antoinette's character been a little stronger, facing those fears, until she had proven them wrong, Antoinette's life would have been drastically different. Antoinette was not insane like her mother, she was forced to become insane because that is what she had been labeled and she was to threatened to prove otherwise.

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Cause and effect essay topic

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What America Means to Me

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America is a wonderful place to live because we are free. Freedom is important, and many people in other countries do not have much freedom. I am glad I have a place like this to grow up in, where I know that I can be equal with other races and other genders. Also, I am glad I have a place like this that will respect me, and I know it will be a great place to have my children grow up in. Some of our ancestors did not have the privileges we have now because they grew up in other countries that controlled their religion, who they married, and almost everything else in their lives. That may be one of the reasons they moved to America in the first place. For example, some of my ancestors came to America to get away from the terrible society they were in. I am very grateful for our country, and all of the privileges I have growing up here. In many countries, I wouldn't be able to get the education that is available to me, and I wouldn't get many of the rights I have because I am a woman.

Womens rights have been a major issue in the past, in our country and especially in some other countries, where women must walk around completely covered or they are arrested. In America, even though we had to fight for these rights, now not only can we vote, but also we can also get the same education and same jobs as the men in today's society.

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Another part of America that I like is the way politics are set up. Anyone who thinks they can do a good job is able to run for a place in today's government. We don't only have one ruler who makes all our rules and laws, but the people in America rule themselves. I like that because that way if we want something changed, or if enough of us think that something is wrong with our nation, we can make a difference. Voting is a big part of making that difference because voting shows how you want our government run, and whom you want to be represented by. We arent just represented by our president. We are also represented by our town councils, our mayors, our governors, our senators, and everyone else that makes up a part of our government, so there are always places open in our society that we can fill to make our own changes.

The freedom of religion in America is another big concept; because that is another reason many people came to America, to break free from the bonds of the designated religion in their country. In some countries, you are made to believe in certain religions. As in America you can believe whatever belief you want to believe in without getting harmed in anyway.

In conclusion, I believe that America is one of the best places to live in. Even though its the only place that Ive ever lived in! I just love all of the freedom that we all have. I actually feel sorry for some of the women in other countries. I am so glad I live in America, and if I lived anywhere else, I would want to move here.

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So Long a Letter by Mariama Ba

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[So Long A Letter takes place in Senegal, a one-time French colony on the western coast of Africa where the citizens speak French and follow Islam. At the beginning of the novel, the main character Ramatoulaye loses her estranged husband Modou Fall to a sudden heart attack. He has just taken seventeen-year-old Binetou as his second wife and virtually abandoned Ramatoulaye, which is legally and socially acceptable in a Muslim society. The following excerpt describes part of the Muslim funerary tradition, according to which Ramatoulaye is compelled not only to entertain hordes of mourners but also to house her co-wife, in addition to other indignities she endeavors to tolerate with grace under pressure.]

ON THE THIRD DAY, the same comings and goings of friends, relatives, the poor, the unknown. The names of the deceased, who was popular, had mobilized a buzzing crowd, welcomed in my house that has been stripped of all that could be stolen, all that could be spoilt. Mats of all sorts are spread out everywhere there is space. Metal chairs hired for the occasion take on a blue hue in the sun.

Comforting words from the Koran fill the air; divine words, divine instructions, impressive promises of punishment or joy, exhortations to virtue, warnings against evil, exhaltation of humility, of faith. Shivers run through me. My tears flow and my voice joins weakly in the fervent Amen which inspires the crowds ardor at the end of each verse.

The smell of the lakh [a dish made from millet flour] cooling in the calabashes pervades the air, exciting.

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Also passed around are large bowls of red or white rice, cooked here or in neighboring houses. Iced fruit juices, water and curds are served in plastic cups. The mens group eats in silence. Perhaps they remember the stiff body, tied up and lowered by their hands into a gaping hole, quickly covered up again.

In the womens corner, nothing but noise, resonant laughter, loud talk, hand slaps, strident exclamations. Friends who have not seen each other for a long time hug each other noisily. Some discuss the latest material on the market. The latest bits of gossip are exchanged. They laugh heartily and roll their eyes and admire the next persons boubou, her original way of using henna to blacken hands and feet by drawing geometrical figures on them.

From time to time an exasperated manly voice rings out a warning, recalls the purpose of the gathering a ceremony for the redemption of a soul. The voice is quickly forgotten and the brouhaha begins all over again, increasing in volume.

In the evening comes the most disconcerting part of the third days ceremony. More people, more jostling in order to hear and see better. Groups are formed according to relationships, according to blood ties, areas, corporations. Each group displays its own contributions to the costs. In former times this contribution was made in kind millet, livestock, rice, flour, oil, sugar, milk. Today it is made conspicuously in banknotes, and no one wants to give less than the other. A disturbing display of inner feeling that cannot be evaluated and measured in francs! And again I think of how many of the dead would have survived if, before organizing these festive funeral ceremonies, the relative or friend had bought the life-saving prescription or paid for hospitalization.

The takings are carefully recorded. It is a debt to be repaid in similar circumstances. Modous relatives open an exercise book. Lady Mother-in-Law [the co-wifes mother] and her daughter have a notebook. Fatimi, my younger sister, carefully records my takings in a note-pad.

As I come from a large family in this town, with acquaintances at all levels of society, as I am a schoolteacher on friendly terms with the pupils parents, and as I have been Modous companion for thirty years, I receive the greater share of money and many envelopes. The regard shown me raises me in the eyes of the others and it is Lady Mother-in-Laws turn to be annoyed. Newly admitted into the citys bourgeoisie by her daughters marriage, she too reaps banknotes. As for her silent, haggard child, she remains a stranger in these circles. . .

The share of each widow must be doubled, as must the gifts of Modous grandchildren, represented by the offspring of all his male and female cousins.

Thus our family-in-law take away with them a wad of notes, painstakingly topped, and leave us utterly destitute, we who will need material support.

Afterwards comes the procession of old relatives, old acquaintances, griots [part magician, poet, and sorcerer employed by a family] goldsmiths, laobes with their honeyed language. The goodbyes are irritating because they are neither simple nor free they require, depending upon the person leaving, sometimes a coin, sometimes a banknote.

Gradually the house empties. The smell of stale sweat and food blend as trails in the air, unpleasant and nauseating. Cola nuts spat out here and there have left red stains my tiles, kept with such painstaking care, are blackened. Oil stains on the walls, balls of crumpled paper. What a balance sheet for a day!

My horizon lightened, I see an old woman. Who is she? Where is she from? Bent over, the ends of her boubou tied behind her, she empties into a plastic bag the leftovers of red rice. Her smiling face tells of the pleasant day she has just had. She wants to take back proof of this to her family, living perhaps in Ouakam, Thiaroye, or Pikine [lower class suburbs of Dakar, the capital].

Standing upright, her eyes meeting my disapproving look, she mutters between teeth reddened by cola nuts Lady, death is just as beautiful as life has been.

- Transcribed from So Long A Letter by Mariama Ba (translated from French into English by Modupe Bode-Thomas) London Heinemann, 18. ISBN 0-45-0555-4

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Media Violence

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Jarrod Pierce

Eng 11.001

4 August 00

Media Violence

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An issue that has many Americans in uproar is the possibility that aggressive behavior and destructive acts are caused from television violence. The battle for limiting television violence has been an issue since the 170s. Evidence has shown that television violence has caused aggression in children and adults. Also this exposure to television violence has desensitized society to real-world violence, and alters youth's perception of violence. Television violence should be limited because of the effects it has on America and the world.

Since 146, when violence was first introduced, there were changes found in the behavior and perception of children and adults exposed to television violence. There is now solid evidence to suggest a relationship between exposure to violence on television and aggressive behavior. Researchers have found that children are more physically and verbally aggressive immediately after watching violent television and movies (ACT). The percentage of violence portrayed in television programs has been at sixty-one percent for the last couple of years and only four percent promote an anti-violent theme (Media Awareness Network). Over fifty percent of the programs on television today contain violent scenes and actions. The most shocking statistic of violence affecting society is that those who have watched less than an hour of television a day, 5.7 percent had committed a violent act that resulted in serious injury (ACT). The percentage increases to 18.4 percent for just three hours of daily watching, that is more than three times the percent for just one hour (ACT). Studies of the content analysis of prime-time output on seven New York City channels showed that there were ,41 acts and threats of violence observed (Gunter, p1). Unfortunately not everyone can distinguish fact from fiction. Seeing violence on television desensitizes the viewer to violent acts (MAN). Children watching violent programs desensitize themselves to fear and violence, also in the future they will become more tolerant of violence in the real world. Studies of Children's fictional entertainment programs showed to have three times the frequency of violent acts or threats recorded in adult programs (Gunter, p1). Children perceive violence differently than adults; they cannot distinguish fact from fantasy. When children see cartoon characters beating each other over the head with mallets they see humorous violence, but what they don't see is the repercussion of those actions. The NTVS report notes that for over three years out of a variety of violent television programs 58 percent depict no pain, 47 percent depict no harm, 40 percent depict harm unrealistically, and 4 percent show humorous violence. Only 16 percent of violent programs feature the long-term, realistic consequences of violence (Media Awareness Network). Looking at this information it is easy to come to the conclusion that violence on television causes aggression and makes children more acceptable to violence.

There are many arguments against limiting violence on television because they believe that when a violent act is committed it must be from a rough childhood or some other dramatic event in early childhood. Another argument is that when people commit a violent act they should take responsibility for their own actions. In the article "Sex and Violence" Joe Saltzman states, "If, as producers argue, violence is a part of the human condition, then so is responsibility; in real life no one can cause mayhem and then just go one to the next scene without repercussions" (Saltzman). If the producers are telling the viewer to act responsibly then the producer shouldn't put out a product that a young irresponsible child can get a hold of. It is also necessary to realize that violence is part of our nature and in our life. Almost everyday we are observers or participants of violence, whether it is natural violence, theatrical or fictional violence, sporting event violence, or political violence. However, those types of violence mentioned above are not portrayed as a television show; they are sports, art, political, and natural violence that show the consequences of people's actions. A further argument against limiting violence on television is that the producers don't know whether the person viewing their program had a rough childhood that needed some thing to set them off or the program actually caused their aggression. This also leads them to point fingers at the parent's ability to raise their child. If the parents haven't taught their child that the actions they see on television are wrong and have serious consequences, then the child will only see the humorous side of violence. The repetitive arguments from the producers and directors have always been the responsibility for your own actions and the background history of the child or adult. Even today these arguments are being proved wrong time and time again.

Reading this information it is easy to tell that violence in television aids or increases aggression, makes people desensitized to violence in real-life, and it gives children a false perspective on violence and the consequences following a violent action. Furthermore studies continue to prove the arguments of the producers and directors wrong. The only solution is providing limited violence if not any violence on television programs for the well being of our youth and fellow man.

Works Cited

Anderson, C.A., Bushman B.J. (00). The Effects of Media Violence on the Society. Website http//www.actagainstviolence.com/specialtopics/mediaviolence.html (ACT)

Freedman, J. (00 January). Effects on Children and Media Violence. Retrieved August 5, 00. Website http//www.media-awareness.ca/english/issues/violence/effects_media_violence.cfm (Media Awareness Network)

Gunter, Barrie.Dimensions of Television Violence. Aldershot Gower, 185.

Saltzman, J. (11 October).Sex and Violence. Effects of Media Violence. (4 August 00).

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Playstation2

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HI MY NAME IS ROBERT JOYAVE AND IM HERE TO TELL YOU ABOUT THE MY SUBJECT FOR THIS REPORT PLAYSTATION AND HOW IT IS SUCH A GREAT SYSTEM AND WHY I THINK THAT EVERY ONE SHOULD KNOW ABOUT IT.PLAYSTATION IS A TOP OF THE LINE VIDEO GAMEING SYSTEM THAT WILL CHANGE THE WORLD LIKE THE PRINTING PRESS DID WITH IT GREAT GRAPHICS AND FAST GAME SPEED IT WILL BE THE BEST GAME SYSTEMFOR YEARS TO COME

THE PLAYSTATION GAME SYSTEM IS IN MY OPINONION IS THE BEST GAME SYSTEM OUT BUT OTHERS WILL DISAGREE.BUT LETS HEAR A LITTLE HISTORY OF THE PLAYSTATION ON HOW IT GOT ITS NAME ONE DAY CHRIS NAKIDO WAS PUTING THE FINISHING TOUCHES ON THE MEMO FOR THE NEW PLAYSTATION NAME WHICH WAS GOING TO BE PLAYSTATION SQUARE WITH THE MEANING SQURE BUT HE WAS RUNIG DOWN THE HALL AND FELL SMUDGEING THE AND BY THE TIME HE NOTICED IT HE HAD DONE HANDED TO TH MAIN MAN BUT HE LOVED IT NOW LETS GET BACK TO THE SYSTEM.

LETS TALK ABOUT ALL OUT SIDE STUFF LETS START ON TH THE BACK WHERE YOU SEE A DOOR that says EXSPASION BAY AND THAT WOULD BE THE EXSPANSION BAY THAT IS WHERE YOU WOULD ADD OTHER ITEMS THAT CAN MAKE YOUR PLAYSTATION BETTER IN MANY WAYS WE WILL NNOW MOVE OVER TO THE AC PLUG WHERE POWER IS SUPPLIED TO THE SYSTEM THENE BELOW IT IS THE TV OUT PORT WICH WILL SEND THE IMAGE FROM THE PLA STATION TO THE TV THEN BESIDE THAT IS THE IEEE14 PORT A.K.A THE FIRE WIRE PORT WHICH SOME DAY WILL LET US USE ARE SONY CAMERAS ON PLAYSTATION THERE IS ALSO ONE OF THESE ON THE FRONTSPEAKING OF THE FRONT LETS TAKE A LOOK AT THAT.THE FIRST THING THAT STICKS OUT IS THE PLAYSTATION LOGO WHICH HAS AND WILL BE USED ON EVER SYSTEM THAT HAS PLAYSTION RUNNING IN ITS VAINS THEN WE HAVE THE DISCK WHICH CAN PLAY PS1 GAMES PS GAMES DVD MOVIES AND AUDIO CDSTHEN YOU HAVE THE REST BUTTON WHICH WILL RESET THE SYSTEM IF PRESSED ONCED WILL RESET THE SYSTEM AND IF YOU HOLD IT IT WILL PUT THE PLATSTION IN STANDBY MODE YOU THEN HAVE THE EJECT BUTTON WHICH OPENS THE DISC TRAYTHE PADDEL HAS CHANGED TO IT LOOKS IDENTICAIL TO THE LAST PADELESBUT THE BUTTONS ARE PRESURE SENSTEVE WHICH MEANS THE HARDER YOU HIT THE BUTTON THE MORE DIFFERENT REACTION YOU GET IN THE GAME. THE MEMORY CARD IS ALSO DIFFERENT IT IS 64 TIMES BIGGER THENE THE LAST MEMORY CARDIT ALSO HAS AKEYBOARD AND A MOUSE WHICH HOOK UP TO THE USB PORTS WHICH I FORGOT TO NTELL YOU ABOUT USB PORTS ARE COMPUTER PORTS THAT ARE USED TO TO HOOK UP TONS OF THINGS WELL ANY WAY THE KEY BOARD AND MOUSE WILL HELP IN CERTIAN GAMES AND THE GAMSHARK WHICH IS A ADDITION THAT HELPS YOU ALTER YOUR GAMES IN OTHER WORDS CHEAT BUT ENOUGH WITH THE OUT SIDE LETS TALK ABOUT THE INSIDE

THE PLAYSTATION HAS THE SPEED OF LIKE OF THE FASTEST COMPUTER AND THATS HOW FAST IT PROCESS TEMPORARY MEMORY AND IT CAN ALSO SHOW 64,000,000 POLYGONS PER SECOND AND THE MORE POLYGONS PER SECOND YOU HAVE THE BETTER GRAPHICHS YOU HAVE AND THE BETTER THEY ARE THE BETTER THE SYSYTEM IS AND ALLTHIS PLUS THE FACT THAT PALYSTATION HAS THE WIDEST ERAY OF GAMES FOR YOU TO CHOSE FROM MAKES IT A BETTER SYSTEM FOR THE WHOLE WORLD HAHAHAHA!!!!!!!

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The "Giddy Multitude"

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In the essay, "The Giddy Multitude", written by Ronald Takaki, he talks about indentured servants, slaves and land less freemen, who were white and black. They were a discontented class who threatened the property class of Virginia in the 1600s. The indentured servants are people that have to work for their masters for a number of years; in return they would get a ticket to America. American's racial definition hinged on keeping this class divided against itself through race in order to keep it under control. Takaki basically stated that some indentured servants would be working so hard that most of them might never see their freedom. If you only have a short time with your slave, you would want him to get your money's worth and overwork him as opposed to an African American slave which you own. You would have to feed them, clothe them, and keep them safe because you paid good money for them. You don't want anything to happen to them.

I believe that what the author is saying is true about owner using indentured servants and overworking them because if you have something for a limited of time wouldn't you want to get the fullest out of it? This can also be related to everyday life; such as if you had just bought a video game for your system, you would play it at your leisure because the game is not going anywhere. Although if you borrowed the game from your friend, you would tend to play it more often because you know that you will have to return it soon, wanting to get the most you can out of the game. However, I don't think you should overwork your indentured servants just because they'll leave soon but I can't argue with their tactic either.

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