King Lear

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Notes on Lear.

King Lear can be looked at in many ways ' as an Aristotelian tragedy, a family

drama, a psychological drama, a Freudian interpretation as a comedy of the

grotesque and a feminist interpretation as a patriarchal play.

Tyranny and rejection between parents and children can lead to extreme cruelty,

suffering and madness.

In the 0

th

century Lear has been re-evaluated ' where it was once see as

unactable, it is now regarded as a relevant, popular and effectible play. The

movement away from a strictly Christian or nihilistic interpretation is towards a

version which celebrates the play's complexity and its courage in attempting to

reflect the mysteries and ambiguities of both life and humanity.

Freud's interpretation saw Cordelia's silence as representing death and Lear's

rejection of her silence as his unwillingness to face death.

There is great controversy over whether Lear is pessimistic or optimistic.

Feminist reading of King Lear feminist scholars have challenged precious notions

and assumptions about man's destiny' in a tragic universe. In 181, Marianne

Novy called for radical reappraisal of the plays, claiming that feminist critics had

responded to Shakespeare with the loyalty that a dutiful daughter might have

for a parent'. Feminist critics have not responded to the Shakespeare

establishment as Cordelia does to Lear's demand for her filial devotion. Instead

of saying nothing they have criticised the question, challenged Lear's position as

patriarch, reconsidered the position of women in Renaissance society. A

misogynistic representation of women in King Lear can be seen. The female

characters in the play are either demonic or saintly. Goneril and Regan are

portrayed a despicable, demonic women while Cordelia is a virtuous, angelic

daughter. King Lear is a play about the perpetuation of patriarchal power and

sexual inequality.

Kathleen Mckuskie ' King Lear dramatises a connection between sexual

insubordination and political anarchy. The order of the state is seen to depend

upon careful regulation of sexual and family relationships. When Lear rages

against the collapse of order, it is women's lust that is blamed as the cause of

chaos and corruption. Cordelia's enduring love is not a virtue that redeems

nature' but a response that restores patriarchal authority. Resistance to

emotional power of the play to compel us to sympathise with Lear, and urges us

to exchange the pleasure of identification for the pleasure of critical insight and

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understanding. Her aim is to interrogate, rather than accept, the views of gender

and sexuality that inform King Lear.

Coppelia Kahan ' psychoanalytical reading of the play. The absent mother'

allows one to see King Lear as a tragedy of masculinity. Lear's progress is not

towards spiritual redemption but towards a recognition and acceptance of the

woman in himself'. The tragic power if the play issues from its awareness of the

terrible human price paid by a society that represses female instincts and

feelings. Regan and Goneril betray and disappoint Lear by not being mothers to

him', their behaviour issues from their masculine instincts'.

Lear as a religious play

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