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Edgar Allan Poe's morbid fascination with death has always intrigued the public since his untimely death at age forty. Death has always been a theme in Poe's works because of his turbulent past and the death of ones he cared for the most. Poe's views on this subject are seen throughout his many publicized novels, short stories, and essays. Two such stories, "The Tell-Tale Heart" and "The Masque of the Red Death," both encompass Poe's interests on death. Why was the theme of death ever prevalent in so much of his works? Poe's enigmatic writings leave the general public of today to ponder this elusive question.
"The Tell-Tale Heart" tells the story of a misguided, nervous man who has just committed a hideous murder of this old man and apparently has buried him under the floorboards of the old man's room. The most striking thing is the narrator and his admittance of his sanity. This seems evident when he claims that "the disease had sharpened my senses-not destroyed-not dulled them" (Appelbaum 75). This narrator gives the reader a glimpse of the confused mind of Poe. The narrator almost parallel Poe in certain actions due to the fact that he realizes that he has a problem and is willing to show it to the audience. In Poe's life, the certainty of his alcoholism is mostly known. However, Poe himself knew that he had a problem but whatever he did, he could not escape the depths of the bottle. Death followed Poe wherever he went, whether it was the death of his mother or his wife. To reflect his pains, Poe constructed this fictitious yet similar character of his life to carry out a grizzly murder yet through guilt, was forced to give himself up for committing the crime. Poe probably thought about murdering people for the misfortunes that he had to live through but like the his character in "The Tell-Tale Heart," had enough sense to realize his sanity and put his 'murders' on paper instead of carrying them out in real life.
In most of his tales, Poe recalled his theme of death to enlighten and also to frighten his readers and critics. In "The Masque of the Red Death" Poe drew a horrendous portrait about the disease that was running rampant at the time, tuberculosis. In the story, Poe stated, "No pestilence had ever been so fatal, or so hideous" (Appelbaum 57). The 'red death' that he wrote about was and still is, of course, this terrible disease that has plagued and eluded him at the same time. From the death of his mother Elizabeth to the death of his wife Virginia who died in 1847 (Encyclopædia), Poe saw first accounts of what this disease could do. To articulate his feelings about the disease, he wrote a story encapsulating it as a character that brought death wherever it went. The hideous descriptions of the 'red death' showed his audience the ingenuous pains of what Poe were facing everyday of his short-lived existence. This story, as with "The Tell-Tale Heart," expressed his theme of death as a calculating pseudo-character always with the intent of murder. However, in this story, Poe's life is again mirrored in a sort of way as in "The Tell-Tale Heart." The way he pictured tuberculosis as a character gives the reader an avid account into Poe's personal life yet at the same time, offers the critical distance required to write apiece so clever and insightful.
Poe's bi-polar lifestyle made him a harsh critic yet at the same time he was an insightful listener. "The same duality is evinced in his art. He was capable of writing angelic or weird poetry, with a supreme sense of rhythm and word appeal, or prose of sumptuous beauty and suggestiveness, with the apparent abandon of compelling inspiration; yet he would write down a problem of morbid psychology or the outlines of an unrelenting plot in a hard and dry style" (Encyclopædia). Such were the case of "The Tell-Tale Heart" and "The Masque of the Red Death." His turbulent way of living and his appetite for liquor fueled his senses of death and he became this wholly new person that would write appalling and sometime outrageous tales of death and murder. Yet, he still seemed to hold on to his sanity whenever he was writing or with his companions.
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In all practicality, Edgar Allan Poe's lurid tales of the occult and death served to temporarily create a kind of surreal world in which Poe could live out his thoughts and fantasies to great extent. These tales, including "The Tell-Tale Heart" and the "The Masque of the Red Death," showed his audience the real nature of Poe. His creative banter fueled with the demons of his life spewed this unique creative genius that cannot be replicated today. His theme of death best symbolized in his short stories paints out a more frightening picture, however, and the audience is left with all sorts of questions surrounding Poe and his fascination with this theme.
Poe, Edgar Allan. Encyclopædia Britannica 00 Encyclopædia Britannica Online.
4 Feb, 00 http//search.eb.com/eb/article?eu=6058.
Appelbaum, Stanley, ed. Edgar Allan Poe The Gold-Bug and Other Tales. New York
Mineola, 11.
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