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The Harlem Renaissance was a turning point for many African Americans. A large volume of literature was written specifically, for this group, during this era. For the first time, African Americans were being told that it was ok to be proud of who they were. This new idea was big in many types of literature. Many writers began exploring the darker side of this movement with literature that concentrated on the negative parts of race issues in America. Nella Larsen's novel Passing concentrates on this theme with the story of Clare, a tragic mulatto who "passes" as a white person. Not only is Passing representative of the problems of the "tragic mulatto", but it is also a novel that explores the insight of human relationships. Clare Kendry's life is a perfect example of the plight of the "tragic mulatto". This character passes as a white person, and then reveals bursts of emotions resulting from his or her black identity.
In Passing, Clare seems to have one overriding urge to return to the African American world she left. However, once she does return back to the African American community, her story leads to a tragic ending. Clare's desire to return to her African American heritage is obvious. Clare tells her childhood friend Irene Redfield that "she can't know how in this pale life of [Clare's] all the time seeing the bright pictures of that other that [Clare] once thought [Clare] was glad to be free of…It's like an ache, a pain that never ceases" (145). Clare realizes how much she wants to see African Americans, to be with them again, to talk with them, to hear them laugh.
Irene feels that there is nothing sacrificial in Clare's idea of life, nothing beyond her own immediate desire. It is obvious that Clare's desire to return to her African American race is honest, though if the reasons seem one-sided. Irene considers Clare to be "selfish, cold and hard" (144). Irene feels that Clare does not have "even in the slightest artistic or sociological interest in the race that some members of other races displayed. Clare cared nothing of the race, she only belonged to it" (18). This may be true, but it does not reduce Clare's own pain at having to deny her African American heritage and her desire to return to it. Irene represents a part of society who feel that people who pass must have a morally acceptable reason to return to their African American roots such as a desire to go against a white society that has forced them into the role of a white person. Just because Clare feels no permanent allegiance to either the black or white worlds or any of the classic problems of the tragic mulatto" does not mean that she is not a tragic mulatto. In her own way, Clare Kendry belongs with the group of tragic mulattos…emerging as an individual, not as a stereotype. Because Clare wants to return to her own race on her own terms shows individuality in the face of the stereotypical tragic mulatto. Clare may not be the typical tragic mulatto. Actions prove that she definitely belongs in this group of people.
Clare Kendry passes in order to secure a more stable life. The desire to do this begins when she is young. Her African American father dies, and she is left with her white aunts. While living with them Clare begins to want more than what she has as an African American. She used to go over to the south side, and used to almost hate all African Americans. [African Americans] had all the things [Clare] wanted and never had. It made [her] all the more determined to get them" (15). In order to get what she wants, Clare marries a white man, John Bellows, under the belief that she is white. Clare is required to deny everything about her past her girlhood, family, language, places with memories, folk customs, folk rhymes, her language, and] the entire long line of people that have gone before her. Clare realizes this is the only way she can obtain the middle-class life she craves. It is obvious that Clare eventually pays a price for this life. Clare feels is so necessary in her life.
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Passing becomes for Clare is a never-ending problem. The fact that Clare denies her identity in order to feel safe eventually leads to her realization that her life has become a lie. Clare tells Irene that she "nearly died of terror the whole nine months before Margery [her daughter] was born for fear that she might be dark" (168). Clare's husband calls her "Nig" as a nickname, completely unaware of her African American status. Eventually, Clare realizes that she is "not close to a single soul…[with] never anyone to talk to" (16).
Clare's desire to return to the African American community seems crazy; Irene begins to see "something groping, and hopeless, and yet so absolutely determined" inside this woman (00). Clare will stop at nothing to leave the life she once desired in order to re-enter the African American community. Clare begins to realize that her desire to return to her African American heritage overshadows the disaster it will cause. In order to "get the things [Clare] wants badly enough, [she]'d do anything, hurt anybody, throw anything away" (10). In reality, Clare's ultimate "loss of soul" is realized in the fact that she is willing to forsake her family, including her daughter, in order to reclaim her racial identity. This, not her eventual death, becomes Clare's ultimate tragedy. Clare looses something of her own soul while living in the world of white men. This proves the struggle that black women or man "passing" in society face a double-edged sword, which will never go away.
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