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Gregory Hines 146-00 VS. The Epic Hero
"I don't remember not dancing, when I realized I was alive and these were parents, and I could walk and talk, I could dance."
Born in New York City on February 14 in 146, Hines came of age in a period of rapid change for black Americans, both in terms of political rights and artistic freedoms. His parents saw dance not simply as a diversion, but as a way for their children to see beyond the constraints of a segregated existence. Hines started tapping almost before he could walk, commencing lessons at the age of two along with his older brother, Maurice. As soon as Gregory turned five, the brothers went professional as the Hines Kids, making night club appearances around the country and virtually growing up backstage at the Apollo theatre, where they witness to the performances and advice of tap dance legends like Honi Coles, Sandman Sims, and the Nicholas Brothers and Teddy Hale.
The Hines family toured internationally and appeared frequently on
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"The Tonight Show," and elsewhere over the course of a decade. But eventually Gregory grew restless with the nonstop years on the road. Gregory finally broke from the group in 17 to start the rock band Severance, a short-lived venture that nonetheless marked his declaration of independence, and the start of his illustrious career as a solo artist.
Tap dancing might seem an unlikely place for a 0th century black performer to find his passion. After all, tap, even now, is often disparaged as an antiquated remnant of a servile past, a minstrel-man shucking and jiving below the level of a true black artist. But while racism has often tried to co-opt tap, tap has always proved a powerful vehicle for a particularly African-American form of artistic expression. Along the way Hines fought against the constraints imposed upon black actors in Hollywood. He often said that he preferred taking parts written for white actors because they were, ironically, often the only ones that allowed him to express the complexity of his own black humanity.
Despite his many acting credits, it was as a dancer that Hines was truly a star. Fast or slow, smooth or snazzy, he moved with evocative perfection. It was a talent he was born with, a way of life he was encouraged to pursue by his mother, who saw performing as a ticket out of the ghetto for him and older.
Hines' appeal was written all over his face. He was handsome in unconventional ways, usually sporting his signature moustache, carefully groomed, and hair cropped to fashion. With eyes lugubrious but kind, and long features that rejected caricature because they embraced it too well, Hines' impeccable style was at once a form of self-expression and a tribute to the lineage of black performers before him.
Gregory Hines, whose elegant grace and easy charm earned him fame on and off stage and screen and whose flashing feet made him the greatest tap dancer of his generation, died of cancer. Though his final days were ones of private struggles, he will always be remembered for his public acts of beauty and creation.
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